ARtistry in Full Bloom
Welcome to Welton Art! Explore the enchanting world of "ARtistry in Full Bloom." Regardless of whether you're in 3D or AR mode, you'll immediately notice a deliberate play of vivid and muted colors, designed to simulate the unique beauty of the same artwork under different lighting conditions. Effortlessly navigate the 3D landscape using your mouse or touchscreen, capturing intricate details in a mesmerizing 360-degree view. In AR mode, use your smartphone or tablet to scan the artwork, revealing the distinctive charm of contrasting color tones in your real-world environment. Capture and share these moments on We-gallery, as we collectively revel in the seamless joy of this digital exploration! Welcome to the artful adventure at Welton Art, where the beauty of technology meets the allure of art!
Still Life with Flowers, Jan van Huysum, 1723
oil on panel, h 81cm × w 61cm
In the 18th century, Van Huysum brought the extremely popular genre of flower painting to great heights. Instead of the usual dark background, he used a light one with a park landscape, creating the impression that the flowers are set out-of-doors on a balustrade. The décor here consists of a statue of Flora, the goddess of flowers, some cursorily painted foliage and a pond.
Tulip and a Poppy, Willem van Leen (attributed to), 1763 - 1825
brush, h 154mm × w 255mm
Dutch-born artist Willem van Leen is acclaimed for his meticulous portrayal of flowers. His standout piece, "Tulip and a Poppy," highlights his unique talent for capturing intricate details, showcasing a remarkable sensitivity to color and form. Leen's mastery extends beyond the canvas, transforming interior spaces with an artistic touch. With a distinctive perspective, he brings the beauty of nature indoors, creating a visual symphony of floral elegance.
Een vaas met rozen, Margaretha Roosenboom, 1853 - 1896
brush, h 790mm × w 500mm
Margaretha Roosenboom's "Een vaas met rozen" (A Vase with Roses) is a timeless masterpiece that showcases the artist's brilliance. Painted between 1853 and 1932, this work highlights Roosenboom's mastery in portraying the delicate beauty of roses. The painting is a testament to her skillful use of light and color, creating a composition of enduring elegance. Roosenboom's ability to infuse ordinary subjects with extraordinary beauty is evident in this artwork, serving as a lasting representation of her artistic legacy.
Yellow and White Lilies, Willem van Leen, c. 1780
brush, h 215mm × w 138mm
At the age of twenty Willem van Leen moved to Paris, where he lived for three years. There, he frequently drew the – often exotic – blooms in the Jardin des Plantes. Upon his return he specialised in flower painting, and became an art dealer. Van Leen made studies of flowers – like these lilies, which were sent to him – into old age. He used them to compose his painted still lifes.
Still Life with Roses, Elias van den Broeck, 1670 - 1708
oil on canvas, h 39cm × w 33cm × d 6.5cm
"Still Life with Roses" by Elias van den Broeck (1670 - 1708) is a masterpiece of still life painting. This artwork vividly captures the delicate beauty of roses with meticulous detail and vibrant colors, showcasing the artist's skill and timeless aesthetic.
Floral Still Life, Hans Bollongier, 1639
oil on panel, h 67.6cm × w 53.3cm
This exuberant bouquet may look natural, but tulips, anemones, roses and carnations do not all bloom at the same time. Bollongier nevertheless managed to assemble a balanced composition. The still life was painted shortly after the Dutch stock market crashed in 1637, when many people went bankrupt due to the speculation in tulip bulbs. This festive bouquet may thus refer to the transience of earthly matters.
Still Life with Flowers in a Greek Vase: Allegory of Spring, Georgius Jacobus Johannes van Os, 1817
oil on canvas, h 149cm × w 116cm
Van Os spent his career mainly in Paris, where he painted porcelain for the famous Sèvres factory. At the same time, he created a furore with magnificently painted floral still lifes incorporating antique art objects. These two paintings probably belong to a series of the Four Seasons. In this painting of Spring, the flowers are arranged in a Greek vase.
Flower Still-life with an Alabaster Vase, Gerard van Spaendonck, 1783
oil on canvas, h 80.5cm × w 64cm
Gerard van Spaendonck from Tilburg made his career in Paris, where he rose to become the botanical painter of the king of France, a highly distinguished position. His flower still lifes were considered as the best in his time. Exhibited at the Paris Salon in 1783, this painting was praised for the true-to-life flowers, insects, and objects. The window of the artist’s studio is reflected in the alabaster vase.